- WHAT IS THE STORY OF THE YOUNG SINATRA ALBUM PROFESSIONAL
- WHAT IS THE STORY OF THE YOUNG SINATRA ALBUM TV
We just hit on putting him in a small town. What we could do that he hadn't done before. Jake (Holmes) and I discussed what would be an interesting thing to do for Sinatra.
WHAT IS THE STORY OF THE YOUNG SINATRA ALBUM TV
"To launch the project, we had envisioned a one-man TV show. We hung out, but it was about a year or year and a half before the writing and recording. I was out in Vegas for a couple of weeks and went to see all of Frank's shows. "My partner, Frankie (Valli).made the suggestion that Frank and I should meet and talk about doing something contemporary, something maybe a little different and unusual, something he hadn't done before. The postscript was whether or not she got it and was it worth it." She abandoned her family and went for a career. He was basically a good guy, but she wanted more. She wasn't liberated enough to tell him, and she didn't think he'd understand. She was more restless- a more contemporary woman. He was the kind of guy who really lived in Watertown. His whole orientation was family and business. LADY DAY: "I saw this woman as someone who had talent. It gives the story a very deep resonance." If she had heard this album, she might have come home. Although we're getting all of this story from him, she never got any of this. We find out that he really didn't communicate anything to her, and she isn't coming back. The twist is her saying, 'She's comin' home.' They don't trust that either. Why is she sending this letter? It is such good news they can't believe it and they don't trust it. SHE SAYS: "He is suspicious of the small talk. That is partly what drove her off to the big city. She has had a relationship, and he hadn't been able to accept it. WHAT'S NOW IS NOW: ".an indication that she had obviously gone with somebody else. They were probably kids together.had gone to school together.had fallen in love and married quite young." I also wanted to indicate in the song that they had been childhood sweethearts. WHAT A FUNNY GIRL (YOU USED TO BE): "It was a retrospective song. I just imagined a girl named Elizabeth and wrote words that were a tribute to her." He kind of understood she had to go."ĮLIZABETH: "I just love that name. I WOULD BE IN LOVE (ANYWAY): "It's that you can't regret where you are even if life takes you someplace where you don't want to be.it was this guy trying to let go of this woman without being angry with her.he was never really angry at her. I put it in letter form, because it was the only way the guy could articulate those sentiments to her."
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MICHAEL & PETER: "Gaudio's kids were the models for that song. Then all of a sudden you realize that the person you cared about is gone, and it all comes back.one of those little holes in grief when it becomes even more painful." For five minutes the sun is shining and everything is beautiful.
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It knocks me out when there is nothing on the surface."įOR A WHILE: "I've always felt that there is that moment in your life, when you forget about something that is really terrible. GOODBYE: "I love the idea of those kinds of goodbyes that people have where nothing is happening emotionally. If we had done the TV special, it would have opened it up, with the credits going by." WATERTOWN: "I had in mind a model of 'Lazy Afternoon.' I wanted a languid feeling. It was Bob's (Gaudio) idea to call it Watertown. It was such an interesting concept- a man left by his wife. "Everything evolved from that piece ('Goodbye'). In the first, Jake Holmes (lyricist for Watertown) comments on each song, and in the second Bob Gaudio (composer/producer) has his say. These interviews were conducted by Ed O'Brien. He was able to take the work of great theater composers of that period, such. This popularity was a mark of his success at singing and promoting the American popular song as it was written, particularly in the 1920s, '30s, and '40s. He scored his first number one hit in 1940 and was still making million-selling recordings in 1994. He came to the fore during the swing era of the 1930s and '40s, helped to define the "sing era" of the '40s and '50s, and continued to attract listeners during the rock era that began in the mid-'50s.
WHAT IS THE STORY OF THE YOUNG SINATRA ALBUM PROFESSIONAL
In a professional career lasting 60 years, he demonstrated a remarkable ability to maintain his appeal and pursue his musical goals despite countervailing trends. Frank Sinatra was arguably the most important musical figure of the 20th century, his only real rivals for the title being Elvis Presley and the Beatles.